I’ve had occasion recently to revisit the old songs of the 1970s that I used to listen to when I was a kid. These are songs I must have listened to dozens of times, but never listened to the lyrics at all. Hearing these songs now, as an adult, and actually paying attention to the words, it’s clear that many of them are deeply weird, in ways I’m not sure I would have understood even if I’d been noticing the lyrics back in the day. So I’m introducing a new feature, WEIRD ‘70s HITS, in which I’ll be taking a closer look at some of these songs.
Today’s installment: “Be Thankful for What You Got.”
(click on the link to hear a sample of the song)
This song, by William DeVaughn and released in 1974 sold almost two million copies, reached #4 on the Billboard Pop Singles chart, and was the number 59 song of the year on New York’s WABC MusicRadio’s Top 100 of 1974, which means I did hear it many, many times that year.
It seems to been intent on riding a trend started by Marvin Gaye’s 1971 album “What’s Going On,” dealing with social and sometimes political issues in the Soul/R&B genre that had previously been solely preoccupied with love and relationships. But despite this intention at the song's start, DeVaughn seems to go a bit awry by the end.
And so you’ve got the title message of the song and the lyrics at the beginning:
Gangsta whitewalls
TV antennas in the back.
You may not have a car at all.
But remember, brothers and sisters, you can still stand tall.
Just be thankful for what you’ve got.
This seems to be a positive, encouraging message, telling listeners that even though you may not have a lot of money, you’ve still got your dignity, and you should appreciate what you do have.
But it’s interesting that in the middle of this inspirational verse, DeVaughn feels it necessary to mention a couple of oddly specific luxury accoutrements that this hypothetical cadillac might have. Gangsta whitewalls. TV antennas in the back.
So, Mr. DeVaughn, just out of curiosity, could you tell us what other sorts of things we can stand tall without? I mean, we're thankful for what we’ve got and all, but could you launch the groove into overdrive, adding the female backup singers, and spend the rest of the song chanting and moaning about glamorous, expensive accessories, and how we could drive around in that great big cadilliac (without which we remain thankful)?
Yes, he can. The remainder of the song:
Diggin' the scene
With a gangsta lean, wooh-ooh-ooh
Diamond in the back, sunroof top
Diggin' the scene
With a gangsta lean, wooh-ooh-ooh
[Instrumental Interlude]
Diamond in the back, sunroof top
Diggin' the scene
With a gangsta lean, wooh-ooh-ooh
Diamond in the back, sunroof top
Diggin' the scene
With a gangsta lean, wooh-ooh-ooh
Diamond in the back, sunroof top
Diggin' the scene
With a gangsta lean, wooh-ooh-ooh
Diamond in the back, sunroof top
Diggin' the scene
With a gangsta lean, wooh-ooh-ooh
Diamond in the back, sunroof top
Diggin' the scene
With a gangsta lean, wooh-ooh-ooh
Diamond in the back, sunroof top
Diggin' the scene
With a gangsta lean, wooh-ooh-ooh
And that’s the end of the song. I love this song, but talk about your mixed messages.
(By the way, there may be few people with less knowledge of “ghetto” slang than me, but is anyone else surprised that the word “gangsta” was being used as an adjective like this way back in 1974? I would have thought it was a ‘90s hip-hop term.)